VLZ4 Series Analog Mixers
PERFECTION
OF COMPACT ANALOG MIXER DESIGN
Mackie relentlessly pursues the perfection of the compact mixer. VLZ4 ups the level of sonic quality at every level, featuring Mackie's flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.
SHOP NOW FIND A DEALERTHE ORIGINAL
No-nonsense
compact mixer series
Now featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago.
From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.
Series Overview
VLZ4 Compact Mixers
[13:39] Learn about the entire VLZ4 lineup
Features
The very definition of an analog compact mixer, Mackie VLZ4 is the original do-it-yourself and be sure it sounds great mixing solution.
Fidelity
Onyx Preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
Clean
High Headroom & Low Noise
Strict attention to component quality has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture
Reliable
Built Like A Tank
- Sealed rotary controls resist dust and grime
- "Built-Like-A-Tank" rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls
Range
Comprehensive & Proven
Mackie’s VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra-compact 402VLZ4 for desktop applications to the tour-friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs.
Series Line-Up
Mixers of every channel count, every price point, for every application.
402VLZ4
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4-Channel Ultra-Compact Mixer
- 2 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 4 high-headroom line inputs
- Selectable instrument inputs on first two channels – no DI box needed
- 2-band EQ (80Hz, 12kHz)
- 18 dB/oct 100Hz low-cut filter on mic input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
802VLZ4
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8-Channel Ultra-Compact Mixer
- 3 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 8 high-headroom line inputs
- Selectable instrument inputs on first two channels – no DI box needed
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 100Hz low-cut filter on mic input channels
- Aux send, level, pan and PFL solo on each channel
- Stereo return for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
1202VLZ4
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12-Channel Compact Mixer
- 4 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 12 high-headroom line inputs
- 4 balanced inserts perfect for integrating outboard gear
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 2 aux sends, level, pan and PFL solo on each channel
- 2 stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design using optional rack ear kit
- Multi-voltage power supply for worldwide use
1402VLZ4
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14-Channel Compact Mixer
- 6 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 14 high-headroom line inputs with +4/-10 operation control
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 2 aux sends, level, pan and PFL solo on each channel
- 60mm long-wearing log-taper faders
- 2 stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design using optional rack ear kit
- Multi-voltage power supply for worldwide use
1642VLZ4
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16-Channel Compact Mixer
- 10 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Phantom power for studio condenser mics
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 16 high-headroom line inputs with +4/-10 operation control
- 4 aux sends, level, pan and PFL solo on each channel
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 60mm long-wearing log-taper faders
- 4 stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design using optional rack ear kit
- Multi-voltage power supply for worldwide use
1604VLZ4
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16-Channel 4-Bus Compact Mixer
- 16 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Phantom power for studio condenser mics
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 16 high-headroom line inputs with +4/-10 operation control
- 16 balanced inserts perfect for integrating outboard gear
- 3-band EQ with sweepable midrange
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 4 aux sends, level, pan, solo and overload/mute LEDs on each channel
- 4 stereo returns, 8 direct outs and 4 group/bus outputs
- 60mm long-wearing log-taper faders
- Control room / phones multi-input source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Rack-mountable design with three physical configurations via Rotopod accessory (sold separately)
- Multi-voltage power supply for worldwide use
2404VLZ4
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24-Channel 4-Bus Effects Mixer with USB
- 20 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- Dedicated inline channel compression for critical inputs (ch. 17-20)
- 20 high-headroom line inputs with dedicated inserts
- 3-band EQ with sweepable midrange
- 18 dB/oct 100Hz low-cut filter on mic input channels
- Level, pan, solo and overload/mute LEDs on each channel
- 4 subgroups featuring dedicated inline compressors for total dynamic control
- 6 aux sends with inserts, pre/post fader and internal/external FX send options
- 2 stereo returns and 4 group outs with inserts
- Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications
- Integrated 4x2 24-bit USB interface
- Stream subgroups or master L/R to your PC or Mac for recording
- Use your favorite plug-in live via auxes 5/6
- Convenient stereo return to mains for music playback or return to channel to implement EQ, auxes and more
- PFL/AFL solo modes
- 60mm long-wearing log-taper faders
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Universal power supply for worldwide use
3204VLZ4
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32-Channel 4-Bus Effects Mixer with USB
- 28 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz – 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- Dedicated inline channel compression for critical inputs (ch. 25-28)
- 28 high-headroom line inputs with dedicated inserts
- Level, pan, solo and overload/mute LEDs on each channel
- 3-band EQ with sweepable midrange
- 18 dB/oct 100Hz low-cut filter on mic input channels
- 4 subgroups featuring dedicated inline compressors for total dynamic control
- 6 aux sends with inserts, pre/post fader and internal/external FX send options
- 2 stereo returns and 4 group outs with inserts
- Dual 32-bit RMFX+™ processors featuring 24 “Gig Ready” reverbs, choruses and tap delay for live applications
- Integrated 4x2 24-bit USB interface
- Stream subgroups or master L/R to your PC or Mac for recording
- Use your favorite plug-in live via auxes 5/6
- Convenient stereo return to mains for music playback or return to channel to implement EQ, auxes and more
- PFL/AFL solo modes
- 60mm long-wearing log-taper faders
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- “Built-Like-A-Tank” rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback
- Universal power supply for worldwide use
Support
May 22, 2017
To understand clipping, it is helpful to have a basic understanding of the electronic systems in which the audio signal travels. Once acoustic signals are converted to an electronic signal (via a... Read More
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Series Overview
VLZ4 Series
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PRODUCT PHOTOS
402VLZ4
402VLZ4
402VLZ4
402VLZ4
402VLZ4
402VLZ4
802VLZ4
802VLZ4
802VLZ4
802VLZ4
802VLZ4
Mackie 1202VLZ4
1202VLZ4
1202VLZ4
1202VLZ4
1202VLZ4
1202VLZ4
1402VLZ4
1402VLZ4
1402VLZ4
1402VLZ4
1402VLZ4
1402VLZ4
1642VLZ4
1642VLZ4
1642VLZ4
1642VLZ4
1642VLZ4
1642VLZ4
1604VLZ4
1604VLZ4
1604VLZ4
Mackie 1604VLZ4
Mackie 1604VLZ4
Mackie 1604VLZ4
Mackie 2404VLZ4
Mackie 2404VLZ4
Mackie 2404VLZ4
Mackie 2404VLZ4
Mackie 2404VLZ4
Mackie 2404VLZ4
Mackie 3204VLZ4
Mackie 3204VLZ4
Mackie 3204VLZ4
Mackie 3204VLZ4
Mackie 3204VLZ4
Mackie 3204VLZ4
Accessories
From mixer covers to keep the grime away to rackmount kits for the working pro, here's all the VLZ4 accessories you will ever need.
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